Βιβλιογραφία
Βασική Βιβλιογραφία
Adorno Theodor, Αισθητική Θεωρία, Αλεξάνδρεια, 2000
Αντωνιάδης Κωστής, Λανθάνουσα Εικόνα, Μωρεσόπουλος, 1995
Arnheim Rudolf, Οπτική Σκέψη, University Studio Press, Θεσσαλονίκη, 2007
Benjamin Walter, Δοκίμια για την Τέχνη, Κάλβος, Αθήνα, 1978
Berger John, Η Εικόνα και το Βλέμμα, Οδυσσέας, Αθήνα, 1993
Cartier-Bresson Henri, Το εκ του Φυσικού Φανταστικό, Καθρέφτης, 2008
Cartier-Bresson Henri, Η Αποφασιστική Στιγμή, Άγρα, Αθήνα, 2013
Γούλιαρης Παναγιώτης, Η Φωτογραφική Θεώρηση του Αστικού Τοπίου ως Συνθήκη Σύνθεσης και Ανασύστασής του, Διδακτορική Διατριβή Ε.Μ.Π., Αθήνα, 2018
Freund Gisele, Φωτογραφία και Κοινωνία, Φωτογράφος, 1996
Gombrich E.H., Το Χρονικό της Τέχνης, μφρ. Λίνα Κασδαγλή, Μορφωτικό Ίδρυμα Εθνικής Τραπέζης, Αθήνα, 1998
Jeffrey Ian, Φωτογραφία-Συνοπτική Ιστορία, Φωτογράφος, Αθήνα, 1997
Μπαρτ Ρολάν, Εικόνα- Μουσική- Κείμενο, Πλέθρον
Μπαρτ Ρολάν, Ο Φωτεινός Θάλαμος, Ραππας, Αθήνα, 1983
Μωραΐτης Κώστας, Το Τοπίο, Πολιτιστικός Προσδιορισμός του Τόπου, Εθνικό Μετσόβιο Πολυτεχνείο, Αθήνα, 2006
Παπαιωάννου Ηρακλής, Η Φωτογραφία του Ελληνικού Τοπίου. Μεταξύ Μύθου και Ιδεολογίας, Άγρα, 2014
Sontag Susan, Περί Φωτογραφίας, Φωτογράφος, 1993
Σταυρίδης Σταύρος, Από την Πόλη Οθόνη στην Πόλη Σκηνή, Ελληνικά Γράμματα
Szarkowski John-Wollen Peter, Η αισθητική της Φωτογραφίας, Καθρέφτης, 1997
Τσατσούλης Δημήτρης, Η Γλώσσα της Εικόνας, Ελληνικά Γράμματα, Αθήνα, 2000
Vilem Flusser, Προς μια Φιλοσοφία της Φωτογραφίας, Μακεδονικό Μουσείο Σύγχρονης Τέχνης, 1998
Διευρυμένη Βιβλιογραφία
Abbott Berenice, Sixty Years of Photography, Thames and Hudson, London, 1982
Alexander Lavrentiev, Alexander Rodchenko-Photography 1924-1954, Koneman, Germany, 1995
Alinder James, Szarkowski John, Adams Ansel, Classic Images, Little Brown and Company, Boston, 1986
Aperture Masters of Photography, Eugene Atget, Konemann, 1997
Appleton Jay, The Experience of Landscape, Wiley, New York, 1996
Arnheim Rudolf, Η Δυναμική της Αρχιτεκτονικής Μορφής, Univerity Studio Press, Θεσσαλονίκη, 2003
Atget, The Pioneer, Marval, 2000
Baetens Jan, Streitberger Alexander, Van Gelder Hilde, Time and Photography, Leuven University Press, Belgium, 2010
Bajac Quentin, The Invention of Photography: The First Fifty Years, Thames & Hudson, London, 2002
Barberie Peter, Looking at Atget, Yale University Press, New York, 2005
Barnbaum Bruce, The Art of Photography: An Approach to Personal Expression, Rocky Nook, Santa Barbara, Canada, 2010
Barrett Terry, Criticizing Photographs, An Introduction to Understanding Images, Mc Grow Hill, New York, 2006
Bate David, Photography, the Key Concepts, Berg, New York, 2009
Bauhaus Photography, The MIT Press, Cambridge, 1987
Baxandall Michael, Patterns of Intention: On the Historical Explanation of Pictures, Yale University Press, New Haven, 1985
Benjamin Walter, One-Way Street and Other Writings, Penguin Books, New York, 2009
Berger John, About Looking, Vintage, New York, 1980
Bergson Henri, The Creative Mind, Citadel Press, New York, 2002
Blau Eve, Kaufman Edward, Architecture and its Image, MIT Press, Cambridge, 1990
Bourassa C. Steven, The Aesthetics of Landscape, Belhaven Press, London, 1991
Brandt Bill, London in the Thirties, Gordon Frazer, London, 1983
Brassai, Paris De Nuit, Arts et Metiers Graphiques, 1987
Briot Alain, Mastering Photographic Composition, Creativity, and Personal Style, Rocky Nook, Santa Barbara, Canada, 2009
Campany David, Mac Orlan Pierre, Lad Jeffrey, Atget: Photographe de Paris, Errata Editions, New York, 2009
Carmona Michel, Haussmann: His Life and Times, and the Making of Modern Paris, Ivan R. Dee, 2002
Cartier-Bresson Henri, The Mind’s Eye-Writings on Photography and Photographers, Aperture, 1998
Chambord Jacqueline, Charles Marville: Photographs of Paris, 1852-1878, French Institute, 1981
Clements Ben, Rosenfeld David, Photographic Composition, Van Nostrand Reinhold Company, 1979
Clive Scott, Street Photography, From Atget to Cartier Bresson, Tauris, London, 2007
Crary Jonathan, Techniques of the Observer, On Vision and Modernity in the 19th Century, MIT Press, Massachusetts, 1992
Cullen Gordon, The Concise Townscape, Architectural Press, Oxford, 2000
Dalibor Vesely, Architecture in the Age of Divided Representation, MIT Press, London, 2004
Daniels Stephen, Fields of Vision, Landscape Imagery & National Identity in England and the United States, Polity Press, Oxford, 1993
Davidson Bruce, Central Park, Aperture, New York
Dehaene Michiel, De Cauter Lieven, Heterotopia and the City, Public Space in a Postcivil Society, Routledge, New York, 2008
Deleuze Gilles, The Time Image, University of Minnesota Press, Minneapolis, 1989
Distel Anne, Gustave Caillebotte, Urban Impressionist, Art Institute of Chicago, Chicago, 1995
Douglas Davis, Photography as Fine Art, Thames and Hudson, London, 1983
Dovey Kim, Framing Places, Mediating Power in Built Form, Routledge, New York, 1999
Elkins James, Photography Theory, Routledge, New York, 2007
Evans Walker, America, Schirmer Art Books, London, 1991
Freeman Michael, The Photographer’s mind, Focal Press, Oxford, 2010
Freeman Michael, The Photographer's Vision: Understanding and Appreciating Great Photography, Focal Press, Oxford, 2011
Friday Jonathan, Aesthetics and Photography, Ashgate, Cornwall, 2002
Fulton Marianne, Pictorialism into Modernism: The Clarence H. White School of Photography, Rizzoli, 1996
Gibson J. James, The Perception of the Visual World, The Riverside Press, Cambridge, 1950
Green Jonathan, American Photography – A Critical History, Harry N. Abrams Inc, New York, 1984
Greenough Sarah, Looking in, Robert Frank’s The Americans, Expanded Edition, Steidl, 2009
Greenough Sarah, Hamilton Juan, Alfred Stieglitz-Photographs and Writings, National Gallery of Art-Callaway Editions, Washington, 1983
Hansom Paul, Literary Modernism and Photography, Praeger, London, 2002
Heiting Manfred, Auguste Sander, Taschen, Germany, 1999
Jeffrey Ian, Bill Brandt, Thames and Hudson, East Essey Coast, 1966
Jennings W. Michael, Dialectical Images, Walter Benjamin’s Theory of Literary Criticism, Cornell University Press, London, 1987
Kelsey Robin, Stimson Blake, The Meaning of Photography, Yale University Press, New Haven, 2008
Kennel Sarah, Charles Marville: Photographer of Paris, University Of Chicago Press, 2013
Kracauer Siegfried, Theory of Film, The Redemption of Physical Reality, Princeton University Press, New Jersey, 1960
La Grange Ashley, Basic Critical Theory for Photographers, Focal Press, Oxford, 2008
Lenman Robin, The Oxford Companion to the Photograph, Oxford University Press, Oxford, 2005
Lessing Gotthold Ephraim, Laocoon: An Essay on the Limits of Painting and Poetry, The Johns Hopkins University Press, Maryland, 1984
Levere D., Yochelson B., New York Changing: Revisiting Berenice Abbott’s New York, Princeston Architectural Press, New York, 2005
Marville Charles, Marville Paris, Hazan, 2001
Montier Jean-Pierre, Henri Cartier Bresson and the Artless Art, Bulfinch, 1996
Morozof Sergei, Lloyd Valerie, Soviet Photography (1917-1940), Orbis, London, 1984
Murphy D. Michael, Landscape Architecture Theory, Waveland Press, New York, 2005
Newhall Beaumont, The History of Photography, The Museum of Modern Art, New York, 2009
Panofsky Erwin, Perspective as Symbolic Form, Zone Books, New York, 1991
Pitts Terence, Edward Weston, Taschen, Germany, 1999
Rabate Jean-Michel, Writing the Image after Roland Barthes, University of Pennsylvania Press, Philadelphia, 1997
Rapoport Amos, The Meaning of the Built Environment, The University of Arizona Press, Tucson, 1990
Ριβέλλης Πλάτων, Μονόλογος για την Φωτογραφία, Φωτοχώρος, Αθήνα, 1997
Rosenblum Naomi, A World History of Photography, Abbeville Press, London, 2007
Sander Auguste, Hommes du XXe Siecle (Texte de Ulrich Keller), Munich, 1980
Scruton Roger, Photography and Representation, The University of Chicago Press, Chicago, 1981
Sullivan George, Berenice Abbott, Photographer: An Independent Vision, Clarion Books, New York, 2006
Szarkowski John, American Landscapes, The Museum of Modern Art, New York, 1981
Szarkowski John, Garry Winogrand-Figments from the Real World, The Museum of Modern Art, New York, 1988
Szarkowski John, Photography until now, The Museum of Modern Art, New York, 1989
Szarkowski John, Hamburg M. Maria, The Work of Atget, Vol. I: Old France, The Museum of Modern Art, New York, 1981
Szarkowski John, Hamburg M. Maria, The Work of Atget, Vol. II: The Art of Old Paris, The Museum of Modern Art, New York, 1982
Szarkowski John, Hamburg M. Maria, The Work of Atget, Vol. III: The Ancient Regime, The Museum of Modern Art, New York, 1983
Szarkowski John, Hamburg M. Maria, The Work of Atget, Vol. IV: Modern Times, The Museum of Modern Art, New York, 1983
Trachtenberg Alan, Classic Essays on Photography, Leete’s Island Books, New Haven, 1980
Turner Tom, City as Landscape, E & FN Spon, London, 1996
Walden Scott, Photography and Philosophy, Essays on the Pencil of Nature, Wiley-Blackwell, Oxford, 2010
Wartenberg Thomas, Curran Angela, The Philosophy of Film, Wiley-Blackwell, Oxford, 2005
Watkins Carleton, Photographs 1861-1874 (essay by Peter Palmquist), Fraenkel Gallery-Bedford Arts-Publishers, San Francisco, 1989
Wells Liz, The Photography Reader, Routledge, New York, 2004
Wells Liz, Photography, A Critical Introduction, Routledge, New York, 2009
Zakia Richard, Stroebel Leslie, Focal Encyclopedia of Photography, Focal Press, USA, 1993
Zevi Bruno, Architecture as Space, How to look at architecture, Da Capo Press, New York, 1993